House at Riverton Read-along

Monday, November 5, 2012



I think I've made it clear that I love Kate Morton's books. So when Words and Peace decided to host a read-along of one of her books that I hadn't read, The House at Riverton, I just had to join in. She posted a list of questions for everyone to answer. So here are both the questions and my answers. There might be some spoilers of Part 1.

On Part 1: from 'Ghosts Stir' to 'Until We Meet Again'

Please share your favorite lines:


“I was not a rebel – indeed, back then I had a fierce sense of duty – but to live without Holmes and Watson was unthinkable.”

“…for home is a magnet that lures back even its most abstracted children.”

“It is an uncanny feeling, that rare occasion when one catches a glimpse of oneself in repose. An unguarded moment, stripped of artifice, when one forgets to fool even oneself.”

Ghosts Stir:

What effect do the first 2 sentences have on you, as a reader?

It immediately reminded me of Rebecca by Daphne du Maurier.

Does this chapter draw you in? How does the author manage to do this?

Yes, it sets up the secrets and the mystery. I wanted to know how the main character’s life is woven in with the Hartford sisters.

The Nursery:


If you mentioned the title of another book in question #1, do you find here more things in common with that book?

Yes, a new person being introduced into a home, but this book is told from a servant’s POV instead of the lady of the house’s POV.

Waiting for the recital:

What’s your feeling toward the Game?

It sounds like child’s play, but there’s some serious foreboding as well.

All Good Things:


Merriam-Webster describes “suspense” as “pleasant excitement as to a decision or outcome” of a novel. How does the author create the suspense here?

She shows Hannah attempting to push the boundaries with her father and the war starts.

Morton often integrates the themes of memory, relationships between generations, secret, in her novels. How has she worked them, and other themes you may have identified, in this story?

The story is all about Grace’s secret, her relationship with her own mother and relationship with her daughter. That theme echoes all of Morton’s other books.

In The West:

What do you like most in this chapter?

I loved meeting Robbie and learning about his history; his mother the Spanish maid and his father, a wealthy Lord.

Until We Meet Again:

How would you define what a Gothic novel is? Does your definition apply to the first chapter of this book? Why or why not?

Gothic novels are defined as “a genre or mode of literature that combines elements of both horror and romance.” I think this book definitely fits into this category because it combines multiple romances (Alfred, Teddy, etc.) with mysteries. It’s also very atmospheric, set in a huge English manor with the memory of a death hanging over everyone.

*** *** ***

Next up are the following sections. I'll be following everyone else's posts on Nov. 12 and 19, but I will save my thoughts for a final post on Nov. 26. I finished the book and I don't want to confuse the sections in earlier posts. Happy reading!

November 12: Part 2 – from 'The Twelfth of July' to 'The Ball And After'
November 19: Part 3 – from 'Catching Butterflies' to 'The Choice'
November 26: Part 4 – from 'Hannah's Story' to the end


Reading the States: Texas

Friday, November 2, 2012


State: TEXAS 

Fiction:
- Lonesome Dove* by Larry McMurtry
- Holes* by Louis Sacher
- That Old Ace in the Hole by Annie Proulx
- No Country for Old Men by Cormac McCarthy
- The Evolution of Calpurnia Tate by Jacqueline Kelly
- Old Yeller by Fred Gipson
- 11/22/63* by Stephen King
- Giant by Edna Ferber
- Corpus Christi by Bret Anthony Johnston
- The Time It Never Rained by Elmer Kelton
- You Know When the Men Are Gone by Siobhan Fallon
- Texas by James A. Michener
- The Killer Inside Me by Jim Thompson 
- Woman Hollering Creek and Other Stories by Sandra Cisneros

Nonfiction:
- The Liar's Club* by Mary Karr
- Places Left Unfinished at the Time of Creation by John Phillip Santos
- Isaac's Storm* by Erik Larson
- Let’s Pretend This Never Happened* by Jenny Lawson
- Half Broke Horses* by Jeannette Walls
- Lone Star: A History of Texas and the Texans by T. R. Fehrenbach
- A Line in the Sand: The Alamo in Blood and Memory by Randy Roberts
- Goodbye to a River by John Graves
- The Path to Power by Robert A. Caro
- Borderlands/La Frontera by Gloria E. AnzaldĂșa

Authors Known for Writing in or about the State:
- James Michener
- Cormac McCarthy

Authors Who Lived Here:
- Larry McMurtry
- Lisa Tuttle
- Philipp Meyer
- William Humphrey

Great Bookstores:
River Oaks Bookstore
Booked Up
The Tattered Jacket
Blue Willow Bookshop
BookPeople

*Books I've Read
Photo by moi.

Let's Read Plays: Troilus and Cressida

Thursday, November 1, 2012


Troilus and Cressida 
by William Shakespeare 
★★★★☆

“She is a pearl, whose price hath launch'd above a thousand ships."

The story of the Trojan War and the beautiful Helen is well-known, but this Shakespearean tragedy about it is not. Troilus and Cressida is the story of two young Trojans caught in the midst of a nation at war. Despite being surrounded by the problems of others they find themselves falling in love. Troilus is the brother of the infamous warrior Hector and the lovesick Paris who ran away with the married Helen, incurring the wrath of the Greeks.
The entire play is filled with passionate declarations of both love and war. The Greeks, like King Agamemnon and the hotheaded Ajax, are itching for a fight. Ajax doesn’t realize until too late that he is only a pawn in the hands of the generals. The Trojans on the other hand aren’t sure how they want to respond. Paris wants to defend Helen’s honor, but his older brother Hector has to decide if she is worth the fall of an entire nation. From his opening scene he has an impossible task. He knows the right thing to do in theory, but the obligations of honor and family loyalty prevent him from doing it.


The play is full to the brim with remarkable supporting characters. From the tragic Cassandra, whose prophetic wails go unheeded to Pandarus, Cressida’s uncle the meddling matchmaker.
I was surprised to find one of the most poignant wooing scenes I’ve ever come across in a play. Usually the man takes the lead in these scenes, but in this one a guarded Cressida finally reveals how much she cares for Troilus. She been attempting to play hard to get, but she can’t hide her feelings any more. She gushes then quickly chides herself, finally begging him to kiss her so she’ll stop talking.  

“And yet, good faith, I wish'd myself a man; 
Or that we women had men's privilege 
Of speaking first. Sweet, bid me hold my tongue; 
For, in this rapture, I shall surely speak 
The thing I shall repent. See, see ! your silence, 
Cunning in dumbness, from my weakness draws 
My very soul of counsel: Stop my mouth.”

This is a tricky play though because there are so many different plots. There’s the romance between Troilus and Cressida and another one between Paris and Helen. There’s the central story of war between nations. In the midst of all of this the title characters often feel secondary, which can make it hard to become invested in their relationship.
The title may be Troilus and Cressida, but that’s really a misnomer. While their romance is sweet, it’s truly the story of the Trojan War and the dicey decisions that warriors must face in battle. What is a single life worth? For Achilles, his love for one man is enough to make him fight or to stay his hand. For the love of his brothers Hector is willing to pick up his sword. The tragedy of war is that it’s a cyclical game; one death always leads to the desire for vengeance from the other side. Grief and bloodshed fuel only more of the same and this play is a poignant reminder of that
BOTTOM LINE: A powerful story of the destructive force of war intertwined with a doomed love story. A must read for Bard enthusiasts and lovers of Greek tragedy.

I read this as part of the Let’s Read Plays yearlong event hosted by Fanda. She has selected categories/authors for each month. From November 2012 to October 2013 participants will read 12 classics plays throughout the year, at least one each month. I’ve read almost all of Shakespeare’s well-known plays, but I’m looking forward to digging in to some of his other work. 

Here are my choices…  
Let' Read Plays Schedule based on Themes:

Nov '12 Shakespeare's Tragedy: Troilus and Cressida
Dec '12 Shakespeare's Comedy: Love's Labour's Lost
Jan '13 freebie: The Iceman Cometh by Eugene O'Neill
Feb '13 Shakespeare's History: Henry V
Mar '13 Greek: Oresteia by Aeschylus
Apr '13 Shakespeare's 
Tragedy: Coriolanus
May '13 Shakespeare's Comedy: Two Gentlemen of Verona
Jun '13 Oscar Wilde: The Importance of Being Earnest
Jul '13 Other author: Cat on a Hot Tin Roof by Tennessee Williams
Aug '13 Shakespeare's Comedy: Comedy of Errors
Sep '13 freebie: Three Sisters by Anton Chekhov
Oct '13 Shakespeare's Tragedy: Cymbeline