Let's Read Play Wrap-Up

In November last year Fanda decided to host the Let’s Read Plays challenge. I review at least one live theatre show each week at Stage Write Indy and have been doing so for 8 years. So reading more plays is always high on my list. I think that plays are meant to be seen, but reading them can give you more time to process the text and can give each play more depth.

Fanda selected categories/authors for each month from November 2012 to October 2013. I stuck with the challenge and made it through all 12 of my chosen plays (see all review links below). I read a Greek tragedy, an American classic, a Russian play, a witty piece from Wilde and a lot of Shakespeare.

SHAKESPEARE

Over the years I’ve focused a lot on Shakespeare’s work. I took a class solely devoted to his plays in college. I’ve seen live performances at the Globe Theatre in London and attend an outdoor Shakespeare theatre weekend every year in Wisconsin. I love him more than any other playwright I’ve read. I’ve read all of his major plays, but I wanted to use this challenge to dive into his lesser-known works. I can’t say that these plays are new favorites, they’re called problem plays for a reason, but I’m glad I read them. I think seeing the whole body of his work helps me understand his development as a writer. He uses many of the same themes and devices in these early plays that he does in his more successful plays later on.

CHALLENGE THEME

I realized about halfway through the challenge that many of the plays I read focused on loneliness and rejection in some way. Troilus and Cressida deals with betrayal in love, Cat on a Hot Tin Roof is about Brick and Maggie’s mutual loneliness, the three sisters in Chekhov’s play are all lonely in their own way. Oresteia deals with revenge and betrayal. The Iceman Cometh is about loneliness and the disillusionment of the American dream, Coriolanus is about being rejected by the people who once embraced you. I think it’s fascinating that I unintentionally had a theme throughout the challenge.

MEMORABLE CHARACTERS

There are quite a few characters that will stay with me for a long time, but I think Maggie from Cat on a Hot Tin Roof is the one who comes immediately to mind. I’ve never encountered a character that ached so badly to be loved. I felt myself understanding that desire, but also hurting for her because she couldn’t make the man she loved reciprocate her feelings in the way she needed.   

Here are the plays I read:

Nov '12 Shakespeare's Tragedy: Troilus and Cressida

Dec '12 Shakespeare's Comedy: Love's Labour's Lost

Jan '13 freebie: The Iceman Cometh by Eugene O'Neill

Feb '13 Shakespeare's History: Henry V

Mar '13 Greek: Oresteia by Aeschylus 

Apr '13 Shakespeare's Tragedy: Coriolanus

May '13 Shakespeare's Comedy: Two Gentlemen of Verona

Jun '13 Oscar Wilde: The Importance of Being Earnest

Jul '13 Other author: Cat on a Hot Tin Roof by Tennessee Williams

Aug '13 Shakespeare's Comedy: Comedy of Errors

Sep '13 freebie: Three Sisters by Anton Chekhov

Oct '13 Shakespeare's Tragedy: Cymbeline

  

A huge thanks to Fanda and Ngidam for hosting the Let’s Read Plays yearlong event!

The Comedy of Errors and Cymbeline

The Comedy of Errors

by William Shakespeare 

★★★

Have you ever seen the 1988 movie Big Business? If you have then you know the general idea of this play’s premise. Two sets of twins are born in the same place on the same night. One set of twins is wealthy, the other is not. The twins are separated at birth and one brother from each set end up growing up together as servant and master. Just to add to the confusion, the twins from each pair have the same name. 

The play is one big case of mistaken identity. Friends, lovers, foes, everyone is completely confused as they run into the brothers and mistake them for their twin. I think this would be an incredibly entertaining play for kids to see, especially if they’re new to Shakespeare’s work. It’s easy to follow and contains lots of big laughs. 

In later plays the Bard uses cases of mistaken identity and sets of twins to aid a larger story. This play feels like an early draft of the greater work to come, but it lacks the depth of his other plays. 

BOTTOM LINE: This is the shortest and shallowest of Shakespeare’s comedies. I have a feeling it would be really fun to see performed live, but it doesn’t work as well in the written form.

Cymbeline

by William Shakespeare 

★★★☆

This is one of Shakespeare’s most convoluted plots. It combines bits and pieces from his greatest works, but in a strange way. There’s a battle to rival that in Henry V, parental ghosts like Hamlet, a jealous husband like Othello and ill-fated lovers and faked death like Romeo and Juliet. In the midst of this jumble are the old standbys, a woman pretending to be a young page and banished people living in the forest. This play is divisive among Shakespeare scholars when it comes to its categorization, some consider it a tragedy and others a romance.

King Cymbeline of Britain is furious when he finds out his only daughter, Imogen, has secretly married Posthumus Leonatus, a man from his court. He quickly banishes Posthumus from his kingdom and shortly thereafter Posthumus meets Iachimo in Italy. He tells his new friend all about his beautiful Imogen. Iachimo isn’t impressed and makes a bet with Posthumus regarding her honor. Add in a devious Queen plotting the King’s death, her horrid son Cloten, missing heirs to the throne, warring Romans and a beheading and you’ve got the gist of it.

BOTTOM LINE: A strange mishmash of Shakespearean themes, but a satisfying if contrived ending. I’d love to see this one performed, but until then I’ll have to settle for the wild ride the play takes you on.

**I heard it’s currently being made into a movie with Ethan Hawke, Milla Jovovich, Ed Harris and Dakota Johnson. I’ll definitely be checking it out.  

I read both of these as part of the Let’s Read Plays yearlong event hosted by Fanda. From November 2012 to October 2013 participants will read 12 classics plays throughout the year, at least one each month.

Three Sisters

Three Sisters

by Anton Chekhov

★★★★★

The play, written in 1900, tells the story of the Prozorov family. Three sisters, Olga, Maria, and Irina Prozorova and their brother Andrei, are living in the Russian countryside.

Olga works and cares for her family. Maria is married, but falls in love with the visiting Colonel Vershinin. Irina is the youngest, an idealistic girl who believes she find her love in Moscow. Andrei has aspirations to become a professor and has fallen for a local girl, Natasha, of whom his sisters do not approve.

The characters debate the meaning of life, the possibility of attaining happiness and more all while dreaming of a better life in Moscow. The first Act is full of hope and possibility, but as the play progresses and the characters’ lives begin to stagnant, that optimism diminishes.

It’s a sad story, no one really gets a happy ending, but the dialogue throughout the story is so beautiful. There’s also a lot of humor worked into the writing. It speaks to Chekhov’s talent that every scene isn’t somber. At the end they are all left wanting something, wishing for more knowledge and a better life.

BOTTOM LINE: I loved it. I hope I get a chance to see it performed someday. There are few plays I’ve read that show the drama of a crumbling family quite so eloquently.

 

“When we are dead, men will fly in balloons, change the fashion of their coats, will discover a sixth sense, perhaps, and develop it, but life will remain just the same, difficult, full of mysteries and happiness. In a thousand years man will sigh just the same, ‘Ah, how hard life is,’ and yet just as now he will be afraid of death and not want it.”

“I think man ought to have faith or ought to seek a faith, or else his life is empty, empty. . . . To live and not to understand why cranes fly; why children are born; why there are stars in the sky. . . . You've got to know what you're living for or else it's all nonsense and waste.”

I read this as part of the Let’s Read Plays yearlong event hosted by Fanda. From November 2012 to October 2013 participants will read 12 classics plays throughout the year, at least one each month.

The Importance of Being Earnest

The Importance of Being Earnest

by Oscar Wilde

★★★★★

You can’t beat Oscar Wilde when it comes to witty dialogue. The playwright mastered the art form of clever repartee and The Importance of Being Earnest is the best example of that talent.

Two bachelors, Jack and Algernon, both find themselves pretending to be someone they are not in order to get what they want. Their actions cause confusion and cat fights when two ladies, Gwendolen and Cecily find themselves falling for the fictional “Earnest.” Top it off with the indomitable Lady Bracknell, whose matchmaking skills rely heavily on evaluating someone’s social standing and you’ve got a recipe for hilarity.

I’ve always loved this play and rereading it was a treat. I also had the chance to finally see it performed in May and I loved it. That version set the story in the 1990s instead of the 1890s, but the text was exactly the same, which reminded me that romantic comedies really haven’t changed too much.

This play also contains many of Wilde’s most infamous lines. Here’s a few of my favorites:

“I never travel without my diary. One should always have something sensational to read in the train.”

“To lose one parent may be regarded as a misfortune; to lose both looks like carelessness.”

“I'll bet you anything you like that half an hour after they have met, they will be calling each other sister.
Women only do that when they have called each other a lot of other things first.”

BOTTOM LINE: Read it! It’s a quick and delightful play.

I read this as part of the Let’s Read Plays yearlong event hosted by Fanda. From November 2012 to October 2013 participants will read 12 classics plays throughout the year, at least one each month.

The Two Gentlemen of Verona

The Two Gentlemen of Verona

by William Shakespeare

★★★☆

This is an interesting play in the world of Shakespeare, though not one of his strongest. It is assumed to be one of his first plays. It has one of his smallest casts and it contains one of the biggest jerks in the whole of Shakespearean literature.

The two gentlemen of the title are Valentine and Proteus, best friends living in Verona. One of the two, Proteus, is deeply in love with a woman named Julia. The other, Valentine, is sent to Milan at his father’s bidding, where he falls in love with the Duke’s daughter, Silvia.

The horrid Proteus follows Valentine and despite swearing his undying love to Julia, he quickly falls in love with Silvia. Not only is he betraying Julia with this infatuation, he is betrays his best friend. He is a selfish and horrible man and it’s hard to understand why Julia would remain true to him.

My favorite scene in the play is between Julia and Silvia. The women find common ground where Silvia expresses her disgust with Proteus for abandoning the woman he swore to love. She had no idea that she was telling this to that same woman and it touches Julia deeply.

The play shares a dozen similarities with Shakespeare’s later work. It has a woman following the man she loves and meeting him in disguise when he falls for someone new from All’s Well That Ends Well. It has Thurio, a useless lover picked by the girl’s family ala Paris from Romeo and Juliet. It also has a bit from Twelfth Night with a woman pretending to be the male servant of the man she loves. These elements don’t work well together to make a great play, but each bit is an interesting plot point that is used more successfully in a later play.

BOTTOM LINE: This play is definitely a precursor to some of the great work that came later, but it doesn’t have the strongest plot. It contains hilarious puns and beautiful lines. Unfortunately the flip-flopping Proteus’ happy ending is not satisfying to audiences and the play is rarely preformed live.

“She is mine own,
And I as rich in having such a jewel
As twenty seas, if all their sand were pearl,
The water nectar, and the rocks pure gold.”

I read this as part of the Let’s Read Plays yearlong event hosted by Fanda. From November 2012 to October 2013 participants will read 12 classics plays throughout the year, at least one each month.

Coriolanus

Coriolanus

by William Shakespeare

★★★★

This Roman tragedy tells the story of Caius Marcius. He is a great warrior, but he’s lost when it comes to politics. After going to battle to fight for Rome, the people rejoice and give him a hero’s welcome when he returns. Soon he decides to use his popularity to enter into the political arena but the delicacies of pleasing the masses are beyond him. His enemies carefully manipulate the crowds into turning against him and he finds himself cast out of the city. He feels completely betrayed by the nation he has given up everything to protect and decides to give his allegiance to a former enemy, Tullus Aufidius.

There’s a moment when the mob, which only so recently called for Coriolanus’ exile, recants its words. Slowly a few people in the crowd start claiming, I never wanted him exiled, neither did I, me either, etc. It’s terrifying how easy it is to persuade a mob because no one feels like they are making the decision, they are only agreeing with everyone else. There’s nothing more dangerous than mindless followers.

The most memorable character in this dark story is Coriolanus’ mother, Volumnia. She is one tough cookie. She would rather her son die in battle than disgrace himself with cowardice. This attitude shows us why Coriolanus is as brutal as he is. He’s been trained that valor and glory are all that truly matter and anyone who doesn’t strive to earn those things is worthless.

In the end, that attitude, perpetuated by his mother’s guidance, is his downfall. It’s his disdain for the public he protects that turns their favor against him. He sees himself as so much better than them and because of that it’s easy to manipulate their loyalty away from him. There’s a chilling scene towards the end when we see what that legacy of violence has done to Coriolanus’ son as well. The reign of blood will continue with him.

BOTTOM LINE: An intense look at politics and war, as relevant today as it was centuries ago. It’s slower moving than many Shakespearean plays, so it’s no for everyone, but it should particularly appeal to fans of Julius Caesar. This isn’t my favorite of the tragedies, but it’s a powerful story.

The first film version was finally made in 2011 starring Ralph Fiennes and Gerard Butler. It’s a good introduction to the play if you can’t find a live production near you. I was lucky enough to get to see it at the Shakespeare Theatre Company in Washington D.C. last month. It starred Patrick Page as Coriolanus and he was incredible. I’m so glad I had the chance to see it performed live before I read it. It’s always easier for me to enjoy the language of the play when the action and plot are already clear in my mind.

I read this as part of the Let’s Read Plays yearlong event hosted by Fanda. From November 2012 to October 2013 participants will read 12 classics plays throughout the year, at least one each month.

 

Greek Week: The Oresteia

The Oresteia

Agamemnon, The Libation Bearers, The Eumenides

by Aeschylus

★★★★☆

This trilogy of plays begins just as the Trojan War ends. It focuses on the House of Atreus, the war hero Agamemnon’s family.

**Because each section of the trilogy depends on the events in the previous section there will be SPOILERS**

Agamemnon, the first part of the trilogy, tells the story of his triumphant return home after the Trojan War. In order to gain favor with the gods before embarking on the journey to Troy to fight the war, Agamemnon sacrificed his daughter Iphigenia. Tricking both her and her mother into believing she was about to be wed to Achilles, Agamemnon instead murdered her to honor Artemis and receive the gift of winds to carry their ships.

Agamemnon’s cruel actions towards his daughter come back to haunt him when he returns. His wife Clytemnestra welcomes him home with open arms, inviting him to walk on a red carpet and honoring him with gracious speeches. All the while she is secretly planning his demise with the help of Agamemnon’s cousin Aegisthus.

Cassandra, King Priam’s daughter, was taken as a spoil-of-war by Agamemnon and is caught up in this horrible scene. She has the gift of sight and so she knows about the impending murder, but she is also cursed by Apollo so no one will believe her when she warns them of it. Cassandra has always been one of my favorite characters in Greek mythology. Her life is such a tragic one and her presence in this player added an extra layer of futility.

Part Two, The Libation Bearers is about Agamemnon’s son Orestes’ return to his home land. He quickly learns of his father’s murder and wants to avenge his death. Apollo’s oracle has instructed him to kill his mother in order to achieve this. With his sister Electra’s help he kills both his mother and Aegisthus. They trick Clytemnestra into thinking Orestes is already dead and then follow through with Apollo’s decree for her death. Almost immediately Orestes is haunted by The Furies and he is plagued with guilt for committing matricide.

The final section, The Eumenides, is about Orestes’ trial. The Furies have hounded Orestes for years. The gods must decide if he will be punished for his mother’s murder and so Athena arranges a trial with jurors from Athens.

There was no blood connection between Clytemnestra and Agamemnon’s, so his murder was not considered as heinous a crime as her’s. Murdering a blood relative is a more punishable offense, hence Orestes’ trial. During the play we learn the details of Agamemnon’s murder. Apollo comes to Orestes’ defense, explaining that he is the one who told him to avenge his father. Athena is the deciding vote in the trial, deciding to acquit Orestes of all guilt, but not truly giving him peace of mind from what he has done.

Greek mythology is all about cycles. You killed so-and-so, therefore I must kill you. You raped my wife, so I will curse you. You tricked me or refused me, so you will be fated to live in some form of agony. The more the gods meddle in human affairs the worse the cycle becomes. This trilogy is a perfect example of this cycle. One murder leads to another until almost everyone is dead. No one is truly spared from the horrific events.

BOTTOM LINE: I thought this one would be much denser and hard to read, but I found it relatively easy. I think that a big part of that is reading it while being immersed in the world of Greek mythology. I didn’t have to stop and try to remember who was who and how they were all connected because it was fresh in my mind. I would highly recommend reading this one along side The Odyssey and The Iliad as it provides closure for Agamemnon’s part of the Trojan War story.

*The Mythology book I’m reading includes another section of this story. A play by Euripides tells of Iphigenia and Orestes being reunited after all these events unfold. In that version, instead of being sacrificed by her father, Iphigenia is saved just before execution by Artemis and spirited away to live on an island as a priestess. Sometime after the trial Orestes arrives at the island and the two escape together.

I read this as part of the Let’s Read Plays yearlong event hosted by Fanda. From November 2012 to October 2013 participants will read 12 classic plays throughout the year, at least one each month.

Greek Week Announcement

This is sort of a grown-up bibliophile’s version of If You Give a Mouse a Cookie. At the beginning of the month I started The Song of Achilles for Care’s readalong. I was loving it, but I was also reading it too fast. It made me think about all the tales of Greek mythology I’d read over the years and all the ones I hadn’t. So I got my copy of Edith Hamilton’s Mythology off the shelf and started reading it.

That led me to start thinking about all the different movies I’d seen that were set in ancient Greece. This was a slippery slope because there are tons of them; some good and some awful, but usually fun!

Then I remembered how much I’d enjoyed Rick Riordan’s Percy Jackson series and that he had a new series I’d wanted to check out. So I got The Lost Hero (the first book in that series), from the library.

Then I remembered I needed to read a play for Fanda’s Let’s Read Plays monthly challenge. And that led me to another Greek book, The Oresteia play trilogy by Aeschylus.  

So anyway, things got out of control quickly and I was surrounded by a stack of Greek themed books and Greek Week was born! I decided to post about all the crazy gods and their wrath and sneakiness throughout this week to share my craziness with all of you.

And I’ve now learned that if you give a bibliophile a good book on a topic they love, there’s no telling where they’ll end up.

Images from here, here and here. 

Henry V

Henry V

by William Shakespeare

★★★★

I’ve loved Shakespeare’s work for a long time, but I’ve always struggled with his Histories. I enjoy seeing them performed live, but when I read them it’s easy for me to get lost in a sea of soldiers and forget who is who. This play is preceded by Richard II, Henry IV, Part 1 and Henry IV, Part 2, and the last two feature our illustrious title character, Henry V.

This particular play rises above the other histories in my opinion because it’s more about the transformation of one man than about war. Obviously there is war and a bloody one at that, but it’s also about Henry (Prince Harry) coming to terms with his responsibility and leadership. He must grow up and leave the boy from the Henry IV plays behind. The lives of so many men are in his hands and without his leadership all will be lost.

This is fully realized in one of the most famous monologues in the English canon. We’ve heard the “band of brothers” line thrown around for years, but when you hear the full speech, on the cusp of battle, it’s incredibly moving and powerful. Here’s one small bit…  

“This story shall the good man teach his son;
    And Crispin Crispian shall ne'er go by,
    From this day to the ending of the world,
    But we in it shall be remembered-
    We few, we happy few, we band of brothers;
    For he to-day that sheds his blood with me
    Shall be my brother; be he ne'er so vile,
    This day shall gentle his condition;
    And gentlemen in England now-a-bed
    Shall think themselves accurs'd they were not here,
    And hold their manhoods cheap whiles any speaks
    That fought with us upon Saint Crispin's day.”

Think about what he is actually saying there. This huge moment in history, the Battle of Agincourt, is so important that the men who weren’t here will wish they were. They won’t consider themselves real men because they were unable to fight in this battle. What an incredible thing to say to your men before rushing in to battle!

I also really love the scene with the French princess, Katharine, and Henry at the end of the play. It’s one of the only moments in a very serious story that is a bit light and witty.

BOTTOM LINE: It is a classic for good reason. While I struggle with Shakespearean histories, others love them. I don’t think it’s the best place to start with his work, but it’s certainly an essential piece. I think I will probably enjoy it more with each re-read as the language and action becomes even clearer.

**Also, I would highly recommend the 1989 film version starring and directed by Kenneth Branagh. I watched it after finishing the book and it was really excellent. I have always been impressed with Branagh’s Shakespearean films. I particularly love his version of Hamlet and Much Ado About Nothing.

I read this as part of the Let’s Read Plays yearlong event hosted by Fanda. From November 2012 to October 2013 participants will read 12 classics plays throughout the year, at least one each month.

The Iceman Cometh

The Iceman Cometh

by Eugene O'Neill

★★★★☆

This sad saga chronicles a group of drunks who meet up at a local saloon. They are full of big dreams for the future, but anyone who knows them knows that they are all talk and no action. Each man has glossed over the story of his life in his own mind, leaving out the bad bits and chalk any failures up to someone else’s fault or a tragedy that befell him.

The patrons look up to a salesman named Hickman ("Hickey") who stops in when he can. During the first half of the play everyone gathers at the saloon for a birthday party and just waits for Hickey to arrive. When he finally gets there something is different about him and immediately everyone is concerned. He has lost his happy-go-lucky attitude. Hickey forces each of the individuals to reevaluate their lives and ask themselves whether they are truly trying to improve it.

The owner of the saloon, Harry Hope, watches the drama unfolds in his establishment. He is concerned by the direction in which Hickey’s “ideas” are steering everyone. In this world people embrace only the possibility of a better life, they never intend to take the steps that would actually lead to one, but it's that hope that keeps them going.

It’s hard to explain why this was such a powerful story to me. I think part of it is the context in which it was written. It was published in 1940, and written during the Great Depression, a time of disillusionment in America. It captures that feeling of hopelessness in such a palpable way. I could see each of the characters thinking about their “one day” plans and truly believing that those dreams were attainable.

BOTTOM LINE: This play paints a beautiful picture of the crumbling American dream. It asks the question, do people really want to reach their goals or is the fact that they have those dreams enough for them? There’s something to be said for having a distant hope, especially for those living such desperate lives.

"I know you become such a coward that you'll grab at any lousy excuse to get out of killing your pipe dreams. And yet, as I've told you over and over, it's exactly those damned tomorrow dreams which keep you from making peace with yourself. So you've got to kill them like I did."

I read this as part of the Let’s Read Plays yearlong event hosted by Fanda. From November 2012 to October 2013 participants will read 12 classics plays throughout the year, at least one each month. Here's my master post. 

Love's Labor's Lost

Love's Labor's Lost
by William Shakespeare
★★★★

I’m normally a big fan of Shakespeare’s plays, and while I enjoyed parts of this one, it still fell a bit flat for me. The King of Navarre and three of his friends decide they will swear off women and other temptations for three years while they focus on their studies. Of course they decide to do this shortly before the Princess of France and her friends are about to visit. No sooner is the vow made than all four men are swooning over the lovely ladies.

There are some really funny parts, like when the men try to hold each other to their vow while at the same time writing love letters to their new crushes. As with all of Shakespeare’s comedies, hidden identities and witty dialogue confound the characters as they find themselves unexpectedly falling in love.

**SPOILERS**

The play ends with a bit of an unusual cliff hanger. The lovers are all separated when the Princess must return to rule France after hearing of her father’s unexpected death. There is a theory that a sequel to the play existed but there are no surviving copies. The play “Love’s Labour’s Won” is mentioned in other texts from around the same time and it could have been the sequel that resolved the lovers’ future.

**SPOILERS OVER**

BOTTOM LINE: This isn’t one of the Bard’s strongest plays, but if you’re already a fan then it’s worth reading. If not, start with one of his better comedies, like Twelfth Night, As You Like It or Much Ado About Nothing.

“He hath never fed of the dainties that are bred in a book; he hath not eat paper, as it were; he hath not drunk ink.”

“As sweet and musical
As bright Apollo's lute, strung with his hair;
And when Love speaks, the voice of all the gods
Makes heaven drowsy with the harmony.”

I read this as part of the Let’s Read Plays yearlong event hosted by Fanda. From November 2012 to October 2013 participants will read 12 classics plays throughout the year, at least one each month.

Let's Read Plays: Troilus and Cressida

Troilus and Cressida 

by William Shakespeare 
★★★★☆

“She is a pearl, whose price hath launch'd above a thousand ships."

The story of the Trojan War and the beautiful Helen is well-known, but this Shakespearean tragedy about it is not. Troilus and Cressida is the story of two young Trojans caught in the midst of a nation at war. Despite being surrounded by the problems of others they find themselves falling in love. Troilus is the brother of the infamous warrior Hector and the lovesick Paris who ran away with the married Helen, incurring the wrath of the Greeks.

The entire play is filled with passionate declarations of both love and war. The Greeks, like King Agamemnon and the hotheaded Ajax, are itching for a fight. Ajax doesn’t realize until too late that he is only a pawn in the hands of the generals. The Trojans on the other hand aren’t sure how they want to respond. Paris wants to defend Helen’s honor, but his older brother Hector has to decide if she is worth the fall of an entire nation. From his opening scene he has an impossible task. He knows the right thing to do in theory, but the obligations of honor and family loyalty prevent him from doing it.

The play is full to the brim with remarkable supporting characters. From the tragic Cassandra, whose prophetic wails go unheeded to Pandarus, Cressida’s uncle the meddling matchmaker.

I was surprised to find one of the most poignant wooing scenes I’ve ever come across in a play. Usually the man takes the lead in these scenes, but in this one a guarded Cressida finally reveals how much she cares for Troilus. She been attempting to play hard to get, but she can’t hide her feelings any more. She gushes then quickly chides herself, finally begging him to kiss her so she’ll stop talking.  

“And yet, good faith, I wish'd myself a man; 

Or that we women had men's privilege 

Of speaking first. Sweet, bid me hold my tongue; 

For, in this rapture, I shall surely speak 

The thing I shall repent. See, see ! your silence, 

Cunning in dumbness, from my weakness draws 

My very soul of counsel: Stop my mouth.”

This is a tricky play though because there are so many different plots. There’s the romance between Troilus and Cressida and another one between Paris and Helen. There’s the central story of war between nations. In the midst of all of this the title characters often feel secondary, which can make it hard to become invested in their relationship.

The title may be Troilus and Cressida, but that’s really a misnomer. While their romance is sweet, it’s truly the story of the Trojan War and the dicey decisions that warriors must face in battle. What is a single life worth? For Achilles, his love for one man is enough to make him fight or to stay his hand. For the love of his brothers Hector is willing to pick up his sword. The tragedy of war is that it’s a cyclical game; one death always leads to the desire for vengeance from the other side. Grief and bloodshed fuel only more of the same and this play is a poignant reminder of that

BOTTOM LINE: A powerful story of the destructive force of war intertwined with a doomed love story. A must read for Bard enthusiasts and lovers of Greek tragedy.

I read this as part of the Let’s Read Plays yearlong event hosted by Fanda. She has selected categories/authors for each month. From November 2012 to October 2013 participants will read 12 classics plays throughout the year, at least one each month. I’ve read almost all of Shakespeare’s well-known plays, but I’m looking forward to digging in to some of his other work. 

Here are my choices…  

Let' Read Plays Schedule based on Themes:

Nov '12 Shakespeare's Tragedy: Troilus and Cressida
Dec '12 Shakespeare's Comedy: Love's Labour's Lost
Jan '13 freebie: The Iceman Cometh by Eugene O'Neill
Feb '13 Shakespeare's History: Henry V
Mar '13 Greek: Oresteia by Aeschylus
Apr '13 Shakespeare's Tragedy: Coriolanus
May '13 Shakespeare's Comedy: Two Gentlemen of Verona
Jun '13 Oscar Wilde: The Importance of Being Earnest
Jul '13 Other author: Cat on a Hot Tin Roof by Tennessee Williams
Aug '13 Shakespeare's Comedy: Comedy of Errors
Sep '13 freebie: Three Sisters by Anton Chekhov
Oct '13 Shakespeare's Tragedy: Cymbeline